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蒼穹

by Motojirō Kajii

On a late-spring afternoon, a still cloud opens a view of emptiness.

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Original language: JapaneseLevel: Intermediate2,358 characters · ≈ 9 minSource: 青空文库

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Sample: three-line reading

Each word has its meaning in this sentence underneath, and each sentence has a full translation. Read the original and glance down only when you need to.

あるone (unspecified)晩春late springのof / 's (linking particle)午後afternoon私Iはtopic marker村villageのof / 's (linking particle)街道road / highwayにalong (with 沿った)沿ったthat ran along / following土堤earthen bank / embankmentのof / 's (linking particle)上top / onでon / at (location marker)日sun / sunshineをobject marker浴びていたwas basking in
One late spring afternoon, I was sitting in the sun on a bank along the village road.
空にはin the skyながらくfor a long time動かないでいるhad not been moving巨きなhuge雲があったthere was a cloud
In the sky there was a huge cloud that had not moved for a long time.
そのthat雲cloudはtopic markerそのthat地球earthにtoward面したfaced側sideにon藤紫色wisteria purpleをしたhaving (a color)陰翳shadeをobject marker持っていたhad
The cloud had a wisteria-colored shade on its side facing the earth.
そしてandそのits / that尨大なhuge / enormous容積size / volumeやand (listing)そのits / that藤紫色wisteria purpleをしたhaving (a color)陰翳shade / shadowはtopic markerなにかしらsomehow / something茫漠としたvague / boundless悲哀sorrowをobject markerそのthat雲cloudにin / on感じさせたmade (someone) feel
And its huge size and its wisteria-colored shade made the cloud feel somehow like a vague sorrow.

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About the book

"The Blue Sky" (Sōkyū) is a short story by Motojirō Kajii. It depicts an unhappy sensory experience in which the narrator, gazing at the ever-changing formation of clouds amid a vast daytime landscape, comes to see a darkness of nothingness in the blue sky. Realistic depictions of nature appear as landscapes of the mind, taking on symbolic color, and poetically render the abyss of the spirit and a lucid nihilism.

Cultural notes (selection)

Background a translation can’t carry: social roles, history and allusions. While reading, tap “Note” at the end of a sentence to see them all.

Lotus-eater Allusion

The lotus-eaters (Lotophagoi) come from Book Nine of the Odyssey: those who eat the forgetful lotus lose all desire to return home and wish only to stay in that land. Kajii uses the English word itself rather than a translated name, layering the 'country of perpetual afternoon' over the Greek allusion.

十二単衣 Customs

The jūnihitoe was the many-layered formal robe worn by noblewomen in the Heian period, its collars overlapping layer upon layer, each showing a band of colour. Here it is a metaphor for the folds of the mountains on both sides of the ravine, overlapping in layers; readers may mistake it for a literal reference to clothing.

About the author

Motojirō Kajii (February 17, 1901 – March 24, 1932) was a Japanese writer of the early Shōwa period known for his poetic short stories, including "Lemon," "In a Castle Town," "Winter Days," and "Beneath the Cherry Trees." His works were praised by fellow writers such as Yasunari Kawabata and Yukio Mishima, and are admired today for their finely tuned self-observation and descriptive power.

Summary prepared with AI from Wikipedia: 蒼穹 (小説) (CC BY-SA)

How the glosses are made

Word glosses and sentence translations are generated in context by AI models (DeepSeek and Zhipu GLM), and every word is checked to have a gloss. AI can make mistakes; you can report problems from the book page.

FAQ

Is this the original text?

Yes. The library holds the opening section of the public-domain original, taken from 青空文库.

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What level is it?

This one is marked “Intermediate”. Every word is glossed, so you can keep reading even with a small vocabulary.

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