Motojirō Kajii: 12 works in the original Japanese, with translation
Motojirō Kajii (February 17, 1901 – March 24, 1932) was a Japanese writer of the early Shōwa period known for his poetic short stories, including "Lemon," "In a Castle Town," "Winter Days," and "Beneath the Cherry Trees." His works were praised by fellow writers such as Yasunari Kawabata and Yukio Mishima, and are admired today for their finely tuned self-observation and descriptive power.
Works in the library
- LemonMotojirō Kajii · Intermediate
- Under the Cherry TreesMotojirō Kajii · Intermediate
- The Ascension of KMotojirō Kajii · Intermediate
- Winter DaysMotojirō Kajii · Advanced
- 城のある町にてMotojirō Kajii · Advanced
- Winter FliesMotojirō Kajii · Advanced
- 闇の絵巻Motojirō Kajii · Intermediate
- 愛撫Motojirō Kajii · Intermediate
- 蒼穹Motojirō Kajii · Intermediate
- 器楽的幻覚Motojirō Kajii · Intermediate
- 路上Motojirō Kajii · Intermediate
- ある心の風景Motojirō Kajii · Advanced
Cultural notes (selection)
Apex catarrh, an inflammation at the tip of the lung, was a diagnostic term used at the time for early-stage pulmonary tuberculosis. Kajii Motojirō himself suffered from tuberculosis for many years, and by writing the protagonist's illness into the story here he gives it an autobiographical colour.
The safety razor is the Gillette-style T-shaped razor with replaceable blades, introduced to Japan from Europe and America in the late Meiji period, and by the Taishō era it had spread as an everyday item. The original text deliberately points out that it is a "ちっぽけな薄っぺらい" (small and thin) object in the home, highlighting how such an unremarkable thing nonetheless lingers stubbornly in the mind.
A beach seine is a traditional fishing method on Japan's coasts: after a boat casts the net, a group of people on shore haul it in together. Here「轆轤」refers to the winch on shore that winds in the net ropes, casting a clear shadow on the sand in the moonlight.
Coughing up blood-streaked sputum is a typical symptom of tuberculosis, which was then an incurable disease. The author, Kajii Motojirō, himself suffered from tuberculosis for many years, and the plight of the sick in his works often carries an autobiographical colouring.