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蜘蛛の夢

by Kidō Okamoto

A widow of seventy-eight recalls a spider dream from her youth.

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Original language: JapaneseLevel: Intermediate3,562 characters · ≈ 14 minSource: 青空文库

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Sample: three-line reading

Each word has its meaning in this sentence underneath, and each sentence has a full translation. Read the original and glance down only when you need to.

一one
One
SS (name)未亡人widowはtopic marker語るspeaks / tells
The widow S speaks.
わたくしはI (formal); as for me当年this year七十八歳seventy-eight years oldでand (copula, linking)嘉永三年the third year of Kaei戌歳the year of the dogのof (possessive/linking)生れbirth; bornでございますam (polite copula)からbecause; soこれからfrom now; nextお話talk; storyを(object marker)するto do; to give (a talk)文久三年the third year of Bunkyuは(topic marker)わたくしがI (subject)十四の年the year (I was) fourteenでございますis (polite copula)
I am seventy-eight years old this year, born in the third year of Kaei, the year of the dog, so the third year of Bunkyu, which I will talk about now, is the year I was fourteen.
むかしの人間はpeople in the pastませていたhad grown up fast (was precocious)などとsuch things as (quoting)皆さんはよくおっしゃいますyou all often sayがbutそれでもeven so十四ではat fourteenまだ小娘でございますI was still a young girlからso何もかも判っているunderstand everythingという訳にはit does not mean thatまいりませんcannot (go so far as to)
People often say that people in the past grew up fast, but even so, at fourteen I was still a young girl, so I did not understand everything.

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About the book

A 78-year-old woman recounts, in her own voice, her family and relatives as they were when she was fourteen in the Bunkyū era. The prose is conversational and unhurried, with the long, rambling preface typical of an elderly storyteller.

Cultural notes (selection)

Background a translation can’t carry: social roles, history and allusions. While reading, tap “Note” at the end of a sentence to see them all.

嘉永三年戌歳の生れ History

Kaei 3 corresponds to 1850. Japanese era-name dates were often paired with the sexagenary cycle; 戌歳 means the Year of the Dog. This double marking of era name plus zodiac sign was the customary way Edo people stated their birth year.

髪結床の株 Customs

In the Edo period, barbershops (髪結床) had to pay a licence fee (myōgakin) to the shogunate or to temples and shrines to obtain the right to operate—a right known as a "kabu." Kabu could be bought, sold, and inherited, and holders earned a steady income from them; this was a common livelihood among small townspeople.

三分 History

In Edo currency, one bu was a quarter of a ryō. In the text, "three bu," "one bu," and "a little over one ryō" are converted step by step, reflecting the base-four silver-money system then in use.

About the author

Kidō Okamoto (October 15, 1872 – March 1, 1939) was a Japanese author and playwright whose real name was Keiji Okamoto; he was born in the Shiba Takanawa district of Minato Ward, Tokyo. His best known work is the shin kabuki play Bancho Sarayashiki.

How the glosses are made

Word glosses and sentence translations are generated in context by AI models (DeepSeek and Zhipu GLM), and every word is checked to have a gloss. AI can make mistakes; you can report problems from the book page.

FAQ

Is this the original text?

Yes. The library holds the opening section of the public-domain original, taken from 青空文库.

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Library books are free to read without an account. Other gloss languages and importing your own texts need an account and credits.

What level is it?

This one is marked “Intermediate”. Every word is glossed, so you can keep reading even with a small vocabulary.

Can I use another gloss language?

English and Chinese glosses are prepared in advance; signed-in readers can generate other languages.

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