Kidō Okamoto: 14 works in the original Japanese, with translation
Kidō Okamoto (October 15, 1872 – March 1, 1939) was a Japanese author and playwright whose real name was Keiji Okamoto; he was born in the Shiba Takanawa district of Minato Ward, Tokyo. His best known work is the shin kabuki play Bancho Sarayashiki.
Works in the library
- 鐘ヶ淵Kidō Okamoto · Intermediate
- 停車場の少女Kidō Okamoto · Intermediate
- 指輪一つKidō Okamoto · Intermediate
- 雪女Kidō Okamoto · Intermediate
- 白髪鬼Kidō Okamoto · Intermediate
- 兜Kidō Okamoto · Intermediate
- 蜘蛛の夢Kidō Okamoto · Intermediate
- 水鬼Kidō Okamoto · Intermediate
- くろん坊Kidō Okamoto · Intermediate
- 影を踏まれた女Kidō Okamoto · Intermediate
- 鴛鴦鏡Kidō Okamoto · Intermediate
- こま犬Kidō Okamoto · Intermediate
- 父の怪談Kidō Okamoto · Intermediate
- 銀座の朝Kidō Okamoto · Intermediate
Cultural notes (selection)
A low-ranking samurai post in the Edo shogunate. Foot soldiers (kachi) were samurai who served the shogun on foot, as opposed to samurai who travelled on horseback. Members of the otachi-gumi served as guards on foot and performed miscellaneous duties when the shogun travelled, and were mostly filled by men of low rank.
The Russo-Japanese War ended with the Treaty of Portsmouth in September 1905. The story takes place shortly afterwards. Since, as mentioned below, the elder brother was wounded at the Battle of Mukden and had already gone to Yugawara to recuperate in February, this must be around 1906, in the final years of the Meiji period.
Refers to the Great Kantō Earthquake, which struck the Tokyo and Yokohama area on 1 September 1923 (the twelfth year of Taishō), killing or injuring over a hundred thousand people and burning down large parts of Tokyo; it was customarily called "the earthquake disaster" (shinsai) at the time. The narrator was in Takayama, far from the disaster zone, and with communications cut off the details were at first unknown, hence the descriptions of the whole town in turmoil and people asking around for news.
An abbreviation combining Yun Prefecture and Shuo Prefecture, referring collectively to the bitterly cold frontier regions of northern China. The author uses this elegant Chinese term to evoke the bleak desolation of the Manchurian countryside.